Calung Banyumasan: Shaping Bamboo, Sounding Identities

Daniele Zappatore, Etnografie Sonore n° III/1, 2020

FIGURE 1. Screenshot from Calung Banyumasan: Shaping Bamboo, Sounding Identities showing a performance of the gamelan calung led by Yusmanto. FIGURE 2. Elements of the calung banyumasan, illustration made by the author. FIGURE 3. The author performing with his teachers during the Sadran (a Javanese celebration held in remembrance of the ancestors) in the village of Gumelem (Susukan, Banjarnegara), 27th April 2019 (photo: Sri Multiyah Susanti). FIGURE 4. The author and the performers during the shooting of the last scene of the film at Kedawung village (Susukan, Banjarnegara), 26th August 2019 (photo: Bayu Prasetya). 1 video found 1 – Calung Banyumasan 90views III_1_2020_06.Zappatore

From Mud to Music: The Production and Uses of Clay Drums in Morocco

Etnografie Sonore n° II/2, 2019, Matías Isolabella e Raquel Jiménez Pasalodos

FIGURE 1. Screenshot from Tarija from mud to music showing the construction of a ta’rīja FIGURE 2. Ta’rīja-s of different sizes in Ahmed Rougan´s workshop (Sebt Douib) FIGURE 3. A member of the h. amādša confraternity playing a harrāz in Marrakech, during a visit of the king Mohamed VI (December 2016) FIGURE 4. Some of the multiple market stalls with nuts and dry fruits (fakia) that appear during ʿĀšūrāʾ in Safi FIGURE 5. Sha’ba (Safi) during ʿĀšūrāʾ (October 2017), one of the few dates when potter´s workshops are closed FIGURE 6. Front page of the 2015 ʿĀšūrāʾ catalogue of the supermarket chain Marjane featuring Baba ‘AyShur 1 video found 19:00 Tarijas: from mud to music 243views II_2-2019_Isolabella_pag-147