Emanuele Tumminello, Una indagine sulla tradizione musicale in Alto Svaneti (libro con codice QR, 2022) – Nicola Renzi
tumminello
«Uno yoik è più potente della polvere da sparo». Riflessioni sul caso Alta-Kautokeino in memoria di Mattis Hætta (1959-2022)- Nicola Renzi
2 videos found 2. Nicola Renzi – Sámi Eatnan Duoddariid 52views 1. Nicola Renzi – Sámiid Ædnan 50views 2 videos found 2. Nicola Renzi – Máze Nieidat luohti (Dj-set) 36views 1. Nicola Renzi – Máze Nieidat luohti 45views 06-arguments-renzi
Video Gallery – Nicola Renzi – ES. V/1, 2022
2 videos found 2. Nicola Renzi – Sámi Eatnan Duoddariid 52views 1. Nicola Renzi – Sámiid Ædnan 50views
Audio Gallery – Nicola Renzi – ES. V/1, 2022
2 videos found 2. Nicola Renzi – Máze Nieidat luohti (Dj-set) 36views 1. Nicola Renzi – Máze Nieidat luohti 45views
Steven Feld, Il mondo sonoro dei Bosavi.
Steven Feld, Il mondo sonoro dei Bosavi.
Video Gallery – Nicola Renzi
3 videos found 1 – Bigga and Niiles-Jouni Aikio on the stage of Vuohču Sámi Márkanat performing the joik version of Lady in black, by Uriah Heep 124views 2 – Mari Boine performing Gula gula with her band on the stage of Ijahis Idja festival 95views 3 – Niiles-Jouni Aikio on the stage of Vuohču Sámi Márkanat performing Áillohaš joik 77views
Audio Gallery – Nicola Renzi
3 videos found 1 – Two excerpts from the performance of Bigga and Niiles-Jouni Aikio at the Vuohču Sámi Márkanat 112views 2 – A recent example of the 3-4 drumming formula offered by Ante Aikio in the second half of his joik Jurddarávdnj 65views 3 – Sami children (Helli and Biret Ingermaria) joiking and drumming on the stage at the beginning of Vuohču Sámi 59views
Image Gallery – Nicola Renzi
FIGURE 1. Sápmi borders according to the subdivision of Sami dialects (Ligi 2016: 222). FIGURE 2. Map of the archaeological finds and regional variations of the drums cataloged by Manker in his 1950 monography. FIGURE 3. In Manker 1938, Drum n. 30. FIGURE 4. In Manker 1938, Drum n. 71. FIGURE 5. Excerpt of the melodic and drumming lines which characterize the joik Dolla, by Angelit Tytöt. FIGURE 6. Rhythmic and vocal complexity of the joik Gumpe, by Niiles-Jouni Aikio. It is possible to notice the extensive use of “acciaccature” and mordants which performed in order to amplify the expressiveness of the joik by imitating the wolf ’s howling. FIGURE 7. Example of “southern” drum’s shape and figurative system represented on the membrane of Manker’s Drum n. 30 (Manker 1938) found in Folddalen (Norway). Its first account dates back to 1727 (Henneberger Museum, Meiningen). FIGURE 8. Manker’s Drum n. 71. A “northern” bowl-shaped drum owned by the noaidi Anders Poulsen in the XVIII century. Dimensions: 43.8 x 32.8 x 9.9 cm (Sámiid Vuorká-Dávvirat Museum, Karasjok). FIGURE 9. Frames from the Sami movie Ofelaš (Nils Gaup, 1987). The noaidi beats the drum to find out if the bear hunt would have taken place under good or bad omens. FIGURE 10. Mari Boine’s drum and percussive style during the performance of Gula Gula at the Ijahis Idja festival (Inari, 16th August 2019, frame from Video example 2). FIGURE 11. Angelit Tytöt trio (Ulla Pirrttijärvi, Ursula Länsman and Tuuni Länsman), in Angelit 1992 (booklet). FIGURE 12. Niiles-Jouni Aikio during one of his tour in Africa (Dar es Salaam, 2013, photo: courtesy of Aikio family). FIGURE 13. Niiles-Jouni Aikio joiking and playing his drum in Vuotso (10th August 2019, frame from video by N. Renzi). FIGURE 14. Wimme Saari joiking at the opening stages of Ijahis Idja festival (Inari, 16th August 2019, photo: N. Renzi).